Coverart for item
The Resource Mixing and mastering in the box : the guide to making great mixes and final masters on your computer, Steve Savage ; with diagrams by Iain Fergusson

Mixing and mastering in the box : the guide to making great mixes and final masters on your computer, Steve Savage ; with diagrams by Iain Fergusson

Label
Mixing and mastering in the box : the guide to making great mixes and final masters on your computer
Title
Mixing and mastering in the box
Title remainder
the guide to making great mixes and final masters on your computer
Statement of responsibility
Steve Savage ; with diagrams by Iain Fergusson
Creator
Subject
Language
eng
Summary
"Mixing and mastering, the two final steps in the complex process of sound engineering, require both artistic finesse and technical facility. Even the slightest difference in the way a sound is processed can lead to a shift in the overall aesthetic of a piece, and so sound engineers must work towards an understanding of sound engineering that is particularly oriented towards the artistic and aesthetic. In order to create effective mixes, a sound engineer must maintain a distinct set of artistic goals while drawing on an in-depth understanding of the software involved in the process. Creating final masters requires specialized aural skills and a similarly advanced understanding of the software in order to fine-tune the product with respect to these goals. Mixing and Mastering in the Box addresses the practical and technological necessities of these two final steps without neglecting the creative process that is integral to the creation of high-quality recordings. Savage focuses primarily on creating mixes and masters in the Digital Audio Workstation (DAW), or "in the box," currently a popular platform in the field of sound engineering due to the creative advantages and advanced technological capabilities it offers to its users. However, much of the information presented in Mixing and Mastering in the Box is also applicable to analog mixing gear or a hybrid system of digital and analog tools. This book, which features over one hundred illustrations and a comprehensive companion website, is ideal for beginning or intermediate students in sound engineering with a focus on DAW, recording artists who do their own mixing and mastering, or musicians who wish to be better informed when collaborating on mixes and masters"--
Assigning source
Provided by publisher
Cataloging source
DLC
http://library.link/vocab/creatorDate
1948-
http://library.link/vocab/creatorName
Savage, Steve
Dewey number
781.460285
Index
index present
Literary form
non fiction
Nature of contents
bibliography
http://library.link/vocab/subjectName
  • Sound
  • Mastering (Sound recordings)
  • Sound recordings
  • Computer sound processing
  • Digital audio editors
  • MUSIC
  • MUSIC
Label
Mixing and mastering in the box : the guide to making great mixes and final masters on your computer, Steve Savage ; with diagrams by Iain Fergusson
Instantiates
Publication
Bibliography note
Includes bibliographical references and index
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
Introduction -- Part I -- Mixing & Mastering -- 1. The Starting Point Fundamentals of mixing and mastering -- 1.1 Preparing to mix and master -- 1.2 Where to mix and master -- 1.3 The tools of mixing and mastering -- 1.4 Introduction to the "Quick Guide" -- 2. Quick Guide to Great Mixes and Masters: Five best practices -- 2.1 Have a concept -- 2.2 Monitor level -- 2.3 Monitoring options -- 2.4 Revise, revise, revise -- 2.5 Live with your mix or master -- 3. Quick Guide to Great Mixes and Masters: Four common mistakes -- 3.1 Poor control of the low end -- 3.2 Overly bright mixes and masters -- 3.3 Overly compressed mixes and masters -- 3.4 Trusting inadequate monitoring -- Part II -- Mixing -- 4. Building a Mix: The concepts and tools in detail -- 4.1 Starting concepts and setting level -- 4.2 Panning -- 4.3 Processing: EQ -- 4.4 Processing: Dynamics -- 4.5 Processing: Effects -- 4.6 Processing: What else is in the box? -- 4.7 The stereo buss -- 5. Automation and Recall: Fine-tuning -- 5.1 Online versus off-line automation -- 5.2 Details of online automation -- 5.3 Details of off-line automation -- 5.4 Timeline of automation -- 5.5 From simple to complex mixes -- 5.6 Fades -- 5.7 Advanced automation techniques -- 5.8 Recall -- 6. Mixing Piece by Piece: How to approach individual elements -- 6.1 Drums and percussion -- 6.2 Bass -- 6.3 Guitar -- 6.4 Keyboards -- 6.5 Vocals -- 6.6 Horns -- 6.7 Strings -- 7. Mix Collaboration: The mix team -- 7.1 How to communicate about mixes -- 7.2 Levels of mixer intervention -- 7.3 Managing remote mixing projects -- 8. Delivering Mixes: Formats, mix types and multiple mixes -- 8.1 Digital formats for mix delivery -- 8.2 Full mixes, TV mixes, and clips -- 8.3 Multiple versions of a single mix -- PART III -- Mastering -- Introduction to part III -- 9. Setting Up to Master: Tools and files -- 9.1 Tools -- 9.2 Creating a template -- 9.3 Building the timeline -- 10. How to Listen for Mastering: From your ear to action -- 10.1 Level -- 10.2 Frequency/EQ -- 10.3 Dynamics and effects -- 10.4 Consistency -- 11. Creating a Master: The concepts and tools in detail -- 11.1 Creating a reference track -- 11.2 Processing: EQ -- 11.3 Processing: Level -- 11.4 Processing: Dynamics and effects -- 11.5 "Mastered for iTunes," Spotify, Pandora, etc. -- 11.6 What else is in the box? -- 12. The Final Master: Creating and delivering -- 12.1 Creating a master -- 12.2 Formats and delivery options -- 13. Mastering Collaboration: The mastering team -- 13.1 How to talk about mastering -- 13.2 Levels of mastering intervention -- 13.3 Managing remote mastering projects -- Appendix A: Notes on surround mixing and mastering -- Appendix B: Why mixing and mastering can no longer be separated -- Audio sources -- Index
Control code
ocn867613118
Dimensions
29 cm
Extent
xvi, 299 pages
Isbn
9780199929320
Lccn
2013042817
Media category
unmediated
Media MARC source
rdamedia
Media type code
n
System control number
(OCoLC)867613118
Label
Mixing and mastering in the box : the guide to making great mixes and final masters on your computer, Steve Savage ; with diagrams by Iain Fergusson
Publication
Bibliography note
Includes bibliographical references and index
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
Introduction -- Part I -- Mixing & Mastering -- 1. The Starting Point Fundamentals of mixing and mastering -- 1.1 Preparing to mix and master -- 1.2 Where to mix and master -- 1.3 The tools of mixing and mastering -- 1.4 Introduction to the "Quick Guide" -- 2. Quick Guide to Great Mixes and Masters: Five best practices -- 2.1 Have a concept -- 2.2 Monitor level -- 2.3 Monitoring options -- 2.4 Revise, revise, revise -- 2.5 Live with your mix or master -- 3. Quick Guide to Great Mixes and Masters: Four common mistakes -- 3.1 Poor control of the low end -- 3.2 Overly bright mixes and masters -- 3.3 Overly compressed mixes and masters -- 3.4 Trusting inadequate monitoring -- Part II -- Mixing -- 4. Building a Mix: The concepts and tools in detail -- 4.1 Starting concepts and setting level -- 4.2 Panning -- 4.3 Processing: EQ -- 4.4 Processing: Dynamics -- 4.5 Processing: Effects -- 4.6 Processing: What else is in the box? -- 4.7 The stereo buss -- 5. Automation and Recall: Fine-tuning -- 5.1 Online versus off-line automation -- 5.2 Details of online automation -- 5.3 Details of off-line automation -- 5.4 Timeline of automation -- 5.5 From simple to complex mixes -- 5.6 Fades -- 5.7 Advanced automation techniques -- 5.8 Recall -- 6. Mixing Piece by Piece: How to approach individual elements -- 6.1 Drums and percussion -- 6.2 Bass -- 6.3 Guitar -- 6.4 Keyboards -- 6.5 Vocals -- 6.6 Horns -- 6.7 Strings -- 7. Mix Collaboration: The mix team -- 7.1 How to communicate about mixes -- 7.2 Levels of mixer intervention -- 7.3 Managing remote mixing projects -- 8. Delivering Mixes: Formats, mix types and multiple mixes -- 8.1 Digital formats for mix delivery -- 8.2 Full mixes, TV mixes, and clips -- 8.3 Multiple versions of a single mix -- PART III -- Mastering -- Introduction to part III -- 9. Setting Up to Master: Tools and files -- 9.1 Tools -- 9.2 Creating a template -- 9.3 Building the timeline -- 10. How to Listen for Mastering: From your ear to action -- 10.1 Level -- 10.2 Frequency/EQ -- 10.3 Dynamics and effects -- 10.4 Consistency -- 11. Creating a Master: The concepts and tools in detail -- 11.1 Creating a reference track -- 11.2 Processing: EQ -- 11.3 Processing: Level -- 11.4 Processing: Dynamics and effects -- 11.5 "Mastered for iTunes," Spotify, Pandora, etc. -- 11.6 What else is in the box? -- 12. The Final Master: Creating and delivering -- 12.1 Creating a master -- 12.2 Formats and delivery options -- 13. Mastering Collaboration: The mastering team -- 13.1 How to talk about mastering -- 13.2 Levels of mastering intervention -- 13.3 Managing remote mastering projects -- Appendix A: Notes on surround mixing and mastering -- Appendix B: Why mixing and mastering can no longer be separated -- Audio sources -- Index
Control code
ocn867613118
Dimensions
29 cm
Extent
xvi, 299 pages
Isbn
9780199929320
Lccn
2013042817
Media category
unmediated
Media MARC source
rdamedia
Media type code
n
System control number
(OCoLC)867613118

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