The Resource Beyoncé in formation : remixing black feminism, Omise'eke Natasha Tinsley
Beyoncé in formation : remixing black feminism, Omise'eke Natasha Tinsley
Resource Information
The item Beyoncé in formation : remixing black feminism, Omise'eke Natasha Tinsley represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in Austin Public Library.This item is available to borrow from 4 library branches. This resource has been enriched with EBSCO NoveList data.
Resource Information
The item Beyoncé in formation : remixing black feminism, Omise'eke Natasha Tinsley represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in Austin Public Library.
This item is available to borrow from 4 library branches.
This resource has been enriched with EBSCO NoveList data.
- Summary
- Making headlines when it was launched in 2015, Omise'eke Natasha Tinsley's undergraduate course "Beyonce Feminism, Rihanna Womanism" has inspired students from all walks of life. In Beyonce in Formation, Tinsley now takes her rich observations beyond the classroom, using the blockbuster album and video Lemonade as a soundtrack for vital next-millennium narratives. Woven with candid observations about her life as a feminist scholar of African studies and a cisgender femme married to a trans spouse, Tinsley's "Femme-onade" mixtape explores myriad facets of black women's sexuality and gender. Turning to Beyonce's "Don't Hurt Yourself," Tinsley assesses black feminist critiques of marriage and then considers the models of motherhood offered in "Daddy Lessons," interspersing these passages with memories from Tinsley's multiracial family history. Her chapters on nontraditional bonds culminate in a discussion of contemporary LGBT politics through the lens of the internet-breaking video "Formation," underscoring why Beyonce's black femme-inism isn't only for ciswomen. From pleasure politics and the struggle for black women's reproductive justice to the subtext of blues and country music traditions, the landscape in this tour is populated by activists and artists (including Loretta Lynn) and infused with vibrant interpretations of Queen Bey's provocative, peerless imagery and lyrics. In the tradition of Roxanne Gay's Bad Feminist and Jill Lepore's bestselling cultural histories, Beyonce in Formation is the work of a daring intellectual who is poised to spark a new conversation about freedom and identity in America
- Language
- eng
- Extent
- 1 volume.
- Contents
-
- Introduction: for the Texas bama femme
- Family album: making lemonade out of marriage, motherhood, and southern tradition
- Queen bee blues
- Mama said shoot
- Most bomb pussy: toward a black feminist pleasure politics
- Love the grind
- Unapologetically femme
- Calling for freedom: black women's activism in the US south
- Freedom, too
- I came to slay
- Outro: I know Beyoncé loves black femmes
- Isbn
- 9781477318393
- Label
- Beyoncé in formation : remixing black feminism
- Title
- Beyoncé in formation
- Title remainder
- remixing black feminism
- Statement of responsibility
- Omise'eke Natasha Tinsley
- Title variation
- Beyonce in formation
- Title variation remainder
- remixing black feminism
- Subject
-
- trueFeminists
- trueUnited States -- Social life and customs -- 21st century
- trueAfrican American feminism
- trueAfrican American feminists
- African American feminists
- trueAfrican American women -- Sexuality
- trueAfrican American women -- Southern States
- African American women singers
- trueAfrican American women singers
- Beyoncé, 1981-
- Beyoncé, 1981-
- trueFeminism
- trueFeminism and music
- Feminism and music
- Language
- eng
- Summary
- Making headlines when it was launched in 2015, Omise'eke Natasha Tinsley's undergraduate course "Beyonce Feminism, Rihanna Womanism" has inspired students from all walks of life. In Beyonce in Formation, Tinsley now takes her rich observations beyond the classroom, using the blockbuster album and video Lemonade as a soundtrack for vital next-millennium narratives. Woven with candid observations about her life as a feminist scholar of African studies and a cisgender femme married to a trans spouse, Tinsley's "Femme-onade" mixtape explores myriad facets of black women's sexuality and gender. Turning to Beyonce's "Don't Hurt Yourself," Tinsley assesses black feminist critiques of marriage and then considers the models of motherhood offered in "Daddy Lessons," interspersing these passages with memories from Tinsley's multiracial family history. Her chapters on nontraditional bonds culminate in a discussion of contemporary LGBT politics through the lens of the internet-breaking video "Formation," underscoring why Beyonce's black femme-inism isn't only for ciswomen. From pleasure politics and the struggle for black women's reproductive justice to the subtext of blues and country music traditions, the landscape in this tour is populated by activists and artists (including Loretta Lynn) and infused with vibrant interpretations of Queen Bey's provocative, peerless imagery and lyrics. In the tradition of Roxanne Gay's Bad Feminist and Jill Lepore's bestselling cultural histories, Beyonce in Formation is the work of a daring intellectual who is poised to spark a new conversation about freedom and identity in America
- Biography type
- contains biographical information
- http://library.link/vocab/ext/novelist/bookUI
- 10740113
- Cataloging source
- ICU/DLC
- http://library.link/vocab/creatorDate
- 1971-
- http://library.link/vocab/creatorName
- Tinsley, Omise'eke Natasha
- Dewey number
- 782.42164092
- Index
- index present
- LC call number
- ML420.K675
- LC item number
- T56 2018
- Literary form
- non fiction
- Nature of contents
- bibliography
- http://library.link/vocab/resourcePreferred
- True
- http://library.link/vocab/subjectName
-
- Beyoncé
- Beyoncé
- African American women singers
- African American feminists
- Feminism and music
- African American feminists
- African American women singers
- Feminism and music
- http://bibfra.me/vocab/lite/titleRemainder
- remixing black feminism
- Label
- Beyoncé in formation : remixing black feminism, Omise'eke Natasha Tinsley
- Bibliography note
- Includes bibliographical references and index
- Carrier category
- volume
- Carrier category code
-
- nc
- Carrier MARC source
- rdacarrier
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
- Introduction: for the Texas bama femme -- Family album: making lemonade out of marriage, motherhood, and southern tradition -- Queen bee blues -- Mama said shoot -- Most bomb pussy: toward a black feminist pleasure politics -- Love the grind -- Unapologetically femme -- Calling for freedom: black women's activism in the US south -- Freedom, too -- I came to slay -- Outro: I know Beyoncé loves black femmes
- Control code
- on1031054824
- Extent
- 1 volume.
- Isbn
- 9781477318393
- Lccn
- 2018014320
- Media category
- unmediated
- Media MARC source
- rdamedia
- Media type code
-
- n
- System control number
- (OCoLC)1031054824
- Label
- Beyoncé in formation : remixing black feminism, Omise'eke Natasha Tinsley
- Bibliography note
- Includes bibliographical references and index
- Carrier category
- volume
- Carrier category code
-
- nc
- Carrier MARC source
- rdacarrier
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
- Introduction: for the Texas bama femme -- Family album: making lemonade out of marriage, motherhood, and southern tradition -- Queen bee blues -- Mama said shoot -- Most bomb pussy: toward a black feminist pleasure politics -- Love the grind -- Unapologetically femme -- Calling for freedom: black women's activism in the US south -- Freedom, too -- I came to slay -- Outro: I know Beyoncé loves black femmes
- Control code
- on1031054824
- Extent
- 1 volume.
- Isbn
- 9781477318393
- Lccn
- 2018014320
- Media category
- unmediated
- Media MARC source
- rdamedia
- Media type code
-
- n
- System control number
- (OCoLC)1031054824
Subject
- trueFeminists
- trueUnited States -- Social life and customs -- 21st century
- trueAfrican American feminism
- trueAfrican American feminists
- African American feminists
- trueAfrican American women -- Sexuality
- trueAfrican American women -- Southern States
- African American women singers
- trueAfrican American women singers
- Beyoncé, 1981-
- Beyoncé, 1981-
- trueFeminism
- trueFeminism and music
- Feminism and music
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.library.austintexas.gov/portal/Beyonc%C3%A9-in-formation--remixing-black-feminism/8690BKWTtCw/" typeof="Book http://bibfra.me/vocab/lite/Item"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.library.austintexas.gov/portal/Beyonc%C3%A9-in-formation--remixing-black-feminism/8690BKWTtCw/">Beyoncé in formation : remixing black feminism, Omise'eke Natasha Tinsley</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.library.austintexas.gov/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.library.austintexas.gov/">Austin Public Library</a></span></span></span></span></div>
